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by Colby Cosh The miracle
worker Twenty-five years ago, 60 schoolchildren from Langley, B.C., got
together in a gymnasium to play and record some contemporary pop songs
under the tutelage of a hippie music teacher named Hans Fenger. Although
kids aged eight to 12 were more normally taught worn-out campfire
standards by music instructors back then, the exercise was not terribly
unusual. Mr. Fenger had some vinyl records of the session pressed at a
local plant, which is a little more unusual. But what is most unusual is
that the resulting record has, in 2001, been released on CD by an
independent label and praised by Rolling Stone, Entertainment
Weekly, and songwriters whose work appears on it, including David
Bowie and Richard Carpenter. The record was discovered by New Jersey radio personality and author
Irwin Chusid, who specializes in "outsider music"--meaning, generally,
naive or untutored music from unexpected places and people. He heard the
LP now dubbed Innocence & Despair: The Langley Schools Music
Project and was captivated. The singing, as David Bowie rightly says,
is "earnest, if lugubrious." But combined with ingenious, Phil
Spector-inspired production by Mr. Fenger, it creates an indescribable,
thrilling effect. Songs like the Eagles' "Desperado" are given reworkings
that arguably have more life than the originals. (On-line clips are
audible at bastamusic.com/lang.html.) After a quarter-century as a teacher, Hans Fenger has become an
internationally celebrated genius. No one is more surprised than he is.
When he answered Mr. Chusid's first phone call, his first thought was, "Uh
oh--am I being sued?" "I was fresh out of university [in 1976] and I had no experience of
teaching music, only of playing it," he says. "So, naturally, I formed the
kids into a band." He was fortunate, he says, to be teaching at a time of
monumental pop-songwriting talent; Bowie, McCartney and Brian Wilson were
still in the air and still relevant. The familiarity of the music allowed
the children to play and sing it spontaneously. "These kids, even the very young ones, liked to sing about heavy
things," he says. "They don't like this 'Bow wow wow, my doggie's up in a
tree' stuff any more than adults do. They embraced dark, introspective
music, even if they couldn't spell 'introspective.'" His instinct
apparently worked: of the 80 students on the record, at least six are
professional musicians today and many more sing in amateur choirs. But why has this odd, poignant music re-emerged now? "Timing is
everything," says Mr. Fenger. "People have reached a saturation point with
slickly produced commercial music. Everything's so pre-packaged. You can
only see so many movies full of explosions and car chases before you get a
craving to see something shot on Super-8 in Iran, something with real
people in it." More than anything, Mr. Fenger feels lucky. "After all, this could have
happened after I was dead," he jokes. "When Irwin asked me to locate two
clean copies of the LP, since I didn't have the original tapes anymore, I
panicked. Guess who had them? My mother!" He laughs. "I was relieved, but
a minute later, I went 'Hey, how come you never played these, Mom?'" Oh
well. Phil Spector probably had the same problem. Expensive
pumpkins Denis Lapierre of the Alberta education watchdog Schoolworks has kindly
tipped Up Front to a edu-scam disclosed by provincial Auditor General
Peter Valentine in his recent 2000-01 annual report. Alberta's Department
of Learning pays out $80 million a year to schools for Career and
Technology Studies (CTS). These are supposed to be vocational classes, and
they are supposed to be graded and administered just like regular classes.
But Mr. Valentine says a lot of the money is being snapped up by
unscrupulous administrators for bogus programs. One school received $409,000 in funding for 1,250 students in CTS
classes; curiously, all these students emerged from the course with the
same mark, a fact the department had not noticed. Another school received
$130,000 for courses that turned out to be "based on student self-assessed
participation in school activities such as pumpkin carving and door
decoration." Other schools wrongfully claimed CTS funding for instruction
provided "with" existing courses, in the same amount of time (a no-no);
another claimed it had mysteriously provided vocational instruction in
12-minute blocks four days a week to 91% of the school population. No doubt some portion of Albertans' $80 million is well spent, but the
learning ministry apparently has no way of checking. Mr. Lapierre is
trying to find out which specific schools bilked the taxpayer. In the
meantime, when you hear teachers and administrators bleat about
underfunding (or the evil of home-schooling), think of
pumpkins. A proud
heritage One from the "missing context" department. Here is an excerpt from a
November 10 Canadian Press story on the 80th anniversary of a great
Canadian institution: "The Communist Party of Canada--which last had a member elected to the
House of Commons 56 years ago--has never formed the Canadian government.
But members argue it has influenced the country's social landscape...'I
think our strength has been, generally speaking, our ideas,' said Liz
Rowley, who is visiting Winnipeg from Toronto for the gathering. 'We're a
small party with big ideas.'" One scans the story in vain for the name of the aforementioned
Communist MP. It was, of course, Fred Rose, who "influenced the social
landscape" by passing nuclear secrets to the Russians. Unmasked by
defector Igor Gouzenko in 1945, he was convicted of espionage, ejected
from Parliament and jailed. But Stalinism certainly qualifies as a "big
idea," we suppose. TIME
TRAVELLER From this magazine November 12, 1990: The British Columbia Report checks in with young Vancouver Mayor
Gordon Campbell, seeking a third term in the November 17 civic election
(successfully, as it will turn out). Opponents mock the mayor for his
"fence-sitting" campaign slogan of "Hard Work and Decency," but observers
admit to being impressed by the lack of scandal surrounding Mr. Campbell
as B.C.'s Social Credit provincial government crumbles from within. "One
day, some are suggesting, Mayor Campbell could become Premier Campbell,"
predicts BCR reporter Ellen Saenger. The Socreds would love to have
him, but "the Kid" will have to start at the bottom as a regular MLA, they
say. One idea no expert suggests to BCR: that Mayor Campbell might
take over the inert provincial Liberals. Hey, some things are too
far-fetched to put in print! A guilty
illiberal pleasure This year, voters on the Gemini Awards for Canadian TV excellence made
a brave choice, giving the Best Comedy Direction statuette to an animated
show so politically incorrect that no American network will buy it.
John Callahan's Quads, which airs here on Teletoon and also in
Australia and Europe, is a scathing, funny account of a quadriplegic's
life based on the bitter, brilliant cartoons of the American "quad"
humorist John Callahan. Technically groundbreaking but lo-fi, the show is made entirely on
computer with Macromedia's Flash program, the same one your 15-year-old
neighbour might use on his Web page. Computers have opened doors to
animators, but it is Mr. Callahan's sensibility that makes this show
guilty fun. The scatological modern-day Thurber is, to say the least, not
afraid to satirize the disabled: the infirm heroes of Quads call
themselves "The Magnificent Severed," and one is so messed up that there
is nothing left of him but a head on a skateboard. Familiar territory for
a cartoonist whose punchlines routinely incite death threats. (Chinese
couple: "Let's wok the dog." Bosomy secretary to colleague: "Remember,
it's only sexual harassment if they're not dateable.") Canadian animator Chris Labonte took home the Gemini statuette and says
working with Mr. Callahan is a pleasure. "I always enjoy talking to him,
as I usually get a scoop on whatever cartoon he is working on that day,"
he says. "He sees everything we do. He could veto or change anything he
wants, but rarely does...I appreciate him trusting my judgment on so many
levels." Mr. Labonte says that the new tools for inexpensive animation are
fine, but the secret to good television has not changed. "I think it
really depends on the people involved, especially the
writing." Equalization
or inequity? Nobel economics laureate James Buchanan dropped by Montreal on October
25 with a harsh message for Canadians. Fifty years ago, Prof. Buchanan's
pioneering work on equalization payments in federal states suggested that
large interprovincial transfers were the way to ensure that such a country
worked efficiently. His work inspired the creation of the equalization
programs now enshrined in our Constitution. But he told an audience at a
conference sponsored by three think-tanks that he would now "qualify" what
he said back then. The problem, says Prof. Buchanan, is that interprovincial transfers
ideally need to go directly to individuals. If they are swapped between
governments, it creates "major inefficiency" as politicians and civil
servants devour the pie. "Once you have an equalization instrument in
place, as you have in Canada, there arise tremendous bureaucratic
values...in maintaining the system that you have," he told policy analyst
Peter Holle in a post-speech interview. "If politicians get money to spend
and don't have to be responsible for taxation, then of course that will
bias their attitude toward more spending as opposed to cutting back." The
result is a huge incentive for bloated "have-not" governments to avoid
even basic reforms. There is possible social value, the professor still thinks, in a system
which discourages frantic interprovincial migration. Stable communities
are a good thing. But the past century has taught us to distrust
governments even when their motives are pure. For more of Prof. Buchanan's
ideas, check out the Frontier Centre's Web site at http://www.fcpp.org/. Duly
Noted
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